At the end of a long
Grin & Bare It
recording session, our engineer/sax player George informed
us that there was only a little bit of tape left at the end
of the reel. Our drummer Paul Caputo, having kept up with
all the tempo & meter changes I threw at him all day, got a
bit mischievous, said, "Wait, I've got an idea, record this!"
George hit the record button, & Paul started playing, putting
in as many changes of tempo/meter/rhythm/time signatures as
possible, packed into just over a minute or so.
If you listen closely, you'll hear where Paul broke one of his
sticks at around 0:42. He merely grabbed another & continued
undaunted, which was something he was brilliant at, being a
heavy-hitting drummer.
Then he said, "ENOUGH CHANGES for you Ed? I dare you
to put some music to THAT! heh heh heh..."
I accepted the challenge... which was to write something that
went along with & fit this crazy drum track, but also could
actually sound like a real song with the drums integrated in.
I followed every single little nuance Paul put in there,
every hesitation, every accent, every change in tempo/meter,
whatever Paul did, I followed, right to the end... and even
after you think it's over. (Be sure to listen to the whole
thing.) heh heh heh...
I recently updated this recording (which dates from 1990).
After relearning what I did (which proved to be
a little more difficult than I thought it would be), I added some real
bass to the existing synth bass, plus some subtle crunchy guitar doubling
the bass lines, & a little Hammond organ (re-learning part of the lead
line was fun too).
Paul C & EJ performing live with Grin & Bare It, 1991:
I decided on a whim to video me recording the Hammond part, using
a new webcam I got as a Christmas present. When I showed the vid
to my wife Kirsten (who remains my primary web site editor), her
comment was, "Show off. You're not really putting that
up on the website are you?"